Family comes first.They always do.They are a pivot on which our lives revolve. Family lets you stand put on slippery ground and manages to keep you afloat even in troubled waters.
It is also the family which gives you the strength to take on the world.
And so, Most often in matters concerning our own blood, the line between right and wrong becomes blurred significantly.
In DRISHYAM too, a man stands firm and stands strong for his family and makes every possible attempt to prevent them from any harm.
The movie then, though unsteady and crude in its execution, just about manages to hold your attention owing to its robust story and a quite strong second half.
Very seldom it happens that the two halves of a film are poles apart, both in terms of the narrative and the execution. It is the content in the second half of the film which makes the film rise above its flaws.
The first half is a big dull. Meant to introduce the facets of the protagonists middle class affairs, it fails miserably. The emotional bonding of the family never truly surfaces and their sentiments never quite kick into our senses. The director, so it seems, doesn't trust our intelligence, and establishes facts which are so on our face.
The monotonous track tries hard to be simplistic but becomes awfully boring. The humor is non-existing, and the a lot many scenes are purely unnecessary. Music doesn't help one bit.
Just about time when you want to give up on the film, and moments before the intermission, enter the always dependable Tabu, her entry being by far the most stylish introductions of a female protagonist on screen.
The movie post intermission, eventually finds steam and keeps you hooked for its entire length. It works best when it stays true to its thriller element.
The entire cat and mouse chase is intriguing as well as entertaining. The game of wits between the cop and the illiterate man is a lot of fun. The pace is good, and though it isn't nail biting, it surely is very gripping.
Barring the character of Tabu, every other character is badly written or underdeveloped. The biggest drawback is the character of Ajay Devgn. An illiterate man who plans and plots owing to his craziness for Cinema, his character comes off very one-dimensional. Ajay though, mostly makes it up with his convincing eyes.
If you end up on a high, probably you don't care much of what happened before the intermission. For the very same reason, the film scores and becomes an above average watch.
Not entirely disappointing. The content and the story will let you condone the below average narrative.
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